Arena can supply any of the following cameras fitted in its universal gryo-stabilised mount for aerial filming (in either 2D or 3D), from our AS355 twin engine or our R44 single engine aircraft (certain restrictions apply to single engine operations).

Red One - 12 Megapixel Mysterium, 4k, 3K, 2K (16:9, 2:1 & anamorphic 2:1); 1080P, 720P at 23.98fps to 120fps depending on format.

Red Epic - Mysterium Monstro 16:9, 3:2, 2:1, 2.4:1, Anamorphic & Custom. 6K at 1-100fps, 5K 1-125fps, 4k 1-150fps, QuadHD 1-150fps, 3K 1-225fps, 2K 1-350fps and FF 1080P 1-60fps.

Sony F950 Cinealta 1920x1080 24P full-bandwidth digital 4:4:4 high-definition Red, Green, and Blue signal processing typically onto HD-CAM SR.

Sony F25/F35 Cinealta Flagship 35 mm CineAlta Camera supporting full 4:4:4 1920x1080 RGB acquisition at 1fps to 5fps typically onto HDCAM SR.

Arriflex D-20/D-21 2880x1620 active pixels generating a 16:9 image at 1920x1080 pixels in either YUV 4:2:2 (via single link HD-SDI) or RGB 4:4:4 10 bit (via dual link HD-SDI).

Panavision Genesis - 12.4 megapixel CCD chip, arranged in a 5760x2160 horizontally RGB filtered array. The vertical resolution is cut in half to 1080 by pixel binning, so the final output pixel resolution is 1920x1080, about 2/3 the resolution of a 2k film scan.

The Sony F950, Sony F25/F35, Red One & Red Epic (Spring 2009) are all available in-house. The Arriflex D20/21 & Panavision Genesis cameras are available upon request.

As a rough guide the Sony F35 or Red One camera with a standard lens are available with full HD monitoring and our gyro-stabilised mount for around £800 per day. Flying time is then charged on top depending on the aircraft type used.

No one else in the UK offers such a large choice of products, our high level of expertise and the same competitive pricing package as Arena.

To find out more, call us now on 01737 821 222.


Also see: 3D-HD & Aerial Cameras